Friday, January 24, 2014

Ernest Hemingway (+ my Voki)

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http://voiceseducation.org/content/poets-world-war-ii

Ernest Hemingway






Chapter Heading
FOR we have thought the longer thoughts
And gone the shorter way.
And we have danced to devil's tunes
Shivering home to pray;
To serve one master in the night,
Another in the day.

    
Ernest Hemingway
(1899-1961)
Born in Oak Park, Illinois in 1899, is first and foremost revered as one of the premier writers of the twentieth century.  Hemingway started his writing career at seventeen as a newspaper writer, went off as a volunteer in an ambulance unit during the First World War in the Italian Army.  When he returned to the States, he returned to writing for newspapers.  During World War II he received the Bronze Star for his work as a war correspondent.  His most important work, The Sun Also Rises, was released in 1926.  This was followed by a number of highly successful novels: A Farewell to Arms (1926), For Whom the Bell Tolls (1940) and The Old Man and the Sea (1952), for which he won a Pulitzer Prize.  He received the Nobel Prize in Literature in 1954 for his lifetime of literary achievements.  He died in 1961.
 <http://voiceseducation.org/content/egrnest-hemingway-american>


The Poets of World War II
Introduction
The various sections of Voices in Wartime’s, The World at War: World War II are filled with the poetry of hundreds of poets.  In the “case study” section, poets who were directly linked to a specific event are highlighted.  For example, an excerpt from Edna St. Vincent Millay’s long poem, “Lidice,” recounts a horrendous massacre in that Czech village at the hands of the Nazis; and Anna Akhmatova recalls the 900-Day Siege of Leingrad in the case study of the same name.  In the study on the dropping of the first atomic bomb on Hiroshima, the witness poetry of Toge Sankichi and Shinoe Shoda recount that catastrophic event. 
This section features more than 130 poets, from both sides of the Atlantic and Pacific who write about the Second World War.  The majority of these writers are professional poets coming from different sides of the war, many of them intimately involved in the struggle to survive the war.  Some never lived to see the liberation, or an end to their concentration camp lives, or the signing of the armistice.  Others who write of the horrors of the battlefields do so because of their sense of history, of recalling stories they heard, or in fear that the world may once again lose its sanity and embark on still another war. 
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